As with any odyssey, the way home is filled with twists and turns. The baby comes down with an infection, for which medicine is unavailable. Mia’s self-absorbed boyfriend threatens to derail all her well-intentioned efforts. A local musician proves helpful to Mia, though his help comes tangled up with desire. An approaching hurricane further complicates matters. As she falls more deeply in love with the baby, Mia makes increasingly drastic choices. Her fluency as an actress allows her to play a real life high-stakes role: she finds herself committing crimes for the sake of the child. As she says, “Legal and moral are hardly the same.”
Like Mockingbird by Julie Trimingham for news and reviews.